Ironically, though, by problematizing the canonical boundaries of cultural production and production culture, hyperperformativity creates a liminal postfuturist space in which text, hypertext, and hypotext collide, the hypotext in(sub)stantiating a semiotic dis-sociation of the text and its target, just as the postmodern hypertext is constructed as semaphoring a linkage of the text to the target: the hypertext correlates; the hypotext segregates.

But this hypotextual segregation is in itself a form of integration. To take a concrete example: consider the problem of "whitespace" familiar to many artists of the Postfuturist Project. Whitespace in a cultural production, like any exclusionary dialectic, constructs a power relation between separator and separation (it is indeed a meta-dialectic, reflexively self-problematizing in nature), and hence attempts through its "priority" to order the space in which it "exists". But simultaneously it constructs a superspace undermining the hegemonic discourse of tokens external to the whitespace; it further problematizes the line-arity/hyperline-arity created by its correspondant hypertext. This is the hypotext, which both stabilizes and interrogates the hypertext.